Von Sydow brings a commanding presence to the screen as Block, his very countenance bespeaking strength and poise. And though Block knows what the outcome must inevitably be, he welcomes Death's acceptance of his challenge, for the game affords him perhaps enough time to fulfill his quest, while adding purpose to what promises to be an arduous trek through a land being ravaged by the Black Plague. As long as Block prevails, they will go on if he wins, he will be released. But Block strikes a bargain with him, challenging him to a game of chess, to be played as they continue on with their journey. Shortly after their arrival on the coast of Sweden, Death (Bengt Ekerot) comes for Block. Jons, meanwhile, is a study in jaded indifference, who believes in nothing beyond the present and whatever his senses and current circumstances dictate. For Block, it is a pensive time he is troubled by what he perceives as God's silence, and thirsts for knowledge and some meaning to his life, as well as a resolution of faith, which has deserted him. In the Fourteenth Century a knight, Antonius Block (Max von Sydow), and his squire, Jons (Gunnar Bjornstrand), have returned after ten years away at the Crusades to their native Sweden, and are beginning their journey home.
A compelling contemplation of death and the nature of Man's existence, Ingmar Bergman's `The Seventh Seal' is uncompromising, riveting drama that is every bit as striking conceptually as it is philosophically.
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